The new game in music used to be the sample. Artists like the Black Eyed Peas are still doing it more than ever, but the rest of the music industry seems to have moved on. This series will explore the newest trend in music: the steal. I’m sorry music industry, that in the 90s, we were stealing music from Napster, but how do you explain your own artists straight up ripping each other off and never saying a word about it.
And I’m not talking about the genius of Girl Talk’s sampling mania.
Without further ado:
Round 1: Jennifer Lopez (Jenny from the Block, JlO) versus Edward Maya

And in the Red Corner: On the Floor
I mean aside from every lyric being either “dance the night away” or “on the floor”, the song could definitley be more offensive to the auditory senses than it actually is.
That being said, the song truly does personify the last, jarring death rattles of a 40-year-old aging celebrity who is desperately trying to compete with girls half her age who were mere blips on the human life radar when JLo peaked in the early 2000s.
I can just imagine Jlo walking into the studio wondering if Pitbull was a person or a really talented dog ( I mean with autotune these days you never know).

And in the Blue Corner: Stereo Love
Who knew that an entire song could be built around a kickin’ accordian solo? The funny thing about “Stereo Love” is that it’s taken so long to achieve radioplay in the states. This song has been making its way around Europe for years and Edward Maya has been in a bitter battle for, guess what? Plagarism. He is being sued by a man that claims he ripped said kickin’ according solo from one of his songs from back in the day. Edward Maya says hell yeah I did, and it’s my right. We’re all artists aren’t we? Stereo Love is just a small bit of techno nonsense. Without the accordian solo at the beginning, its nothing more than a jarbled mess of synth and autotune. It’s frankly so forgettable, that Edward Maya has recorded it with two different women and no one seemed to notice or care.
K.O.: Edward Maya
I’m so sorry Jenny from the Block, but I have to give this one to Stereo Love. Despite both songs being complete clubrat tomfoolery, Edward Maya at least did it first. And it doesn’t seem as desperate as your attempts at last-ditch hip-hop relevancy. Just be glad those American Idol checks are clearing because your music career is no longer something that you can take to the bank, or back to the block.
